Unlike the refreshed entry-level iPad, the Pro still doesn’t get a landscape mode FaceTime camera, although it does feature Centre Stage to keep you centered in the frame. Thankfully, FaceID works in any orientation now. Image resolution is crisp and detailed in broad daylight, but quickly gets noisy as the ambient illumination is reduced. Rear cameras on the iPad always seemed redundant, but with a ProRes workflow, it makes more sense than ever to have a decent cam suite now. The 12MP wide and 10MP ultrawide do a decent job of capturing accurate colours and textures, even under indoor lighting conditions, but still, beyond the Apple promo videos, it’s hard to believe any professional filmmaker actually using a 13in tablet to make a masterpiece.
What is truly astonishing is the Liquid Retina XDR display. With up to 1600nits of peak brightness with HDR content, it just brings images and video to life in away even reality cannot! But also with the Reference Mode, it can turn off True Tone, Night Shift and match the profile with an external Mac display via Sidecar. If you want the last word on accuracy and consistency, the iPad Pro has everyone else beat. Even in the brightest of outdoor daylights, I barely reached the max setting on brightness and the ProMotion 120Hz complements iOS16’s slickness so well, it’s hard to tell where the hardware ends and software begins.