Playing The Gray Man via Netflix, the Dolby Atmos mix through our 7.2.2 Focal Kanta, SVS, REL and PMC set-up came to life like never before. The increase in resolution, space and precision in panning was instantly tangible. Class G makes itself felt clearly during the gunshots and crashes by making it more visceral and immediate, without ever sounding forward. You can add Dolby processing for an added dollop of oomph but if you have speakers and subwoofer capable of handling dynamics, you won’t need to. The AVR30 excelled at transients and imaging, qualities that help elevate a movie-watching experience from great to truly immersive. Immersive 3D sound formats like Dolby Atmos, IMAX-E, Auro-3D and DTS:X don’t simply become immersive by adding a soundbar to your telly. Both, it’s ability to process the signal cleanly and amplify it without any signs of stress or congestion is what makes it stand apart from the far-eastern competition. Streaming Spiderman: No Way Home on the Sony Bravia Core service, the AVR30, instantly flagged it off as an IMAX-Enhanced DTS soundtrack and the effect was just as captivating as the Dolby Atmos, but with even more body to the sound. This is the audiophile’s AV receiver and the proof is in Dolby Atmos music on Apple Music, which sounded stupendous playing Billie Eilish’s NDA in multichannel surround. It created a space that melted away the speakers and simply filled it with sound that was richly detailed, musical and totally transparent. If you choose to use Dirac Live, the results could be even better, depending on your room, preference and quality of microphone.
Some of the hot keys on the remote do take getting used to as the markings aren’t the most intuitive and just like the on-screen menu, lack the clarity in communication that the competition has so well mastered now. Overall, one gets the impression that the Arcam AVR30 is designed for the advanced user, and of course, while its price point makes it obvious, it’s also manifested in its UX/UI design.