Fujifilm’s color science is the star of the show here. Straight-out-of-camera JPEGs are a joy to look at, with natural skin tones, rich greens, and vibrant blues. The X-Trans sensor’s unique pixel arrangement ensures pleasing gradation and avoids the overly digital look common in other cameras.
Adding to this are Fujifilm’s film simulation modes, which replicate the look of classic analog films like Velvia, Provia, and Acros. These modes provide creative flexibility without the need for extensive post-processing. For landscapes, Velvia’s saturated tones are a dream, while Astia offers a more subdued look ideal for portraits. If you’re after a nostalgic black-and-white aesthetic, Acros delivers stunning monochromatic images with a subtle grain structure.
Apart from these, you can also add in custom ‘Fujifilm Recipes’ that allow full control over a host of outputs and applications like Grain Effect, White Balance and basically the whole lot of settings that affect the output of the JPEG. Do note that there’s just four custom options you can tune these to, unlike the many you get on the Fujifilm X100 VI or X100 V.